- ‘Lullaby of Industry: Lawrence English’s Mine Aesthetics and the RMOA Collection,’ The Lullaby of Industry, Room40, Brisbane, pp. 2-11.
- ‘Out Here: Cutler Footway and Easton Dunne at Rockhampton Museum of Art,’ Rockhampton Museum of Art, April 2023.
- ‘Into the Intertextual Woods,’ in Storymakers in Contemporary Japanese Art, Sydney, Japan Foundation Sydney, 2022, pp. 3-7
- ‘Serial Affirmations: The 5th Aichi Triennale,’ Art Monthly Australasia, iss. 334, December 2022, pp. 40-43.
- ‘Internalising Our Anxiety: Ken + Julia Yonetani’s “To Be Human”,’ Art Monthly Australasia, iss. 332, Winter 2022, pp. 80-85
- ‘Soft Power and Cultural Sisterhood: The Japanese Collection at the Rockhampton Museum of Art,’ Forever Now, Rockhampton Museum of Art, 2022, pp. 151-3
- ‘Mandy Quadrio: Beyond Misty Histories,‘ Constance ARI & MONA FOMA, Hobart, 2022
- ‘Compassionate Grounds: Ten Years on in Tohoku,’ TAASA Review, vol. 30, no. 1, March 2021, p. 20-21
- ‘Where is Home: Mavis Ngallametta at Queensland Art Gallery,’ Art Monthly Australasia, 22 July 2020, http://www.artmonthly.org.au/blog/where-is-home
- ‘Voices of Survival: Rite of Passage at QUT Art Museum,’ Art Monthly Australasia, 19 March 2020, http://www.artmonthly.org.au/blog/rite
- ‘Gods and Monsters: Japan Supernatural at Art Gallery of New South Wales,’ Art Monthly Australasia, 28 February 2020, http://www.artmonthly.org.au/blog/supernatural
- All We Can Do is Pray, Boxcopy, Brisbane, March 2020
- ‘A Flourishing Resilience: Women Artists in APT9,’ TAASA Review, vol. 27, no. 4, December 2018, pp.6-7
- ‘Roppongi Crossing 2019: Connexions,’ ArtAsiaPacific, 20 March 2019, http://artasiapacific.com/Magazine/WebExclusives/RoppongiCrossing2019Connexions
- ‘Japanese Scrolls and Screens: A Gift of James Fairfax AC,’ Artlines, iss. 4, December 2018, pp.52-53
- ‘Boedi Widjaja,’ 9th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery | Gallery of Modern Art, 2018, pp.176-77
- ‘Okinawa Soul: Profile of Mao Ishikawa,’ ArtAsiaPacific, 17 August 2018, http://artasiapacific.com/Blog/OkinawaSoulProfileOfMaoIshikawa
- ‘Public Art is for Everybody: A Roundtable Discussion with Amy-Clare McCarthy, Kieran Swann, Kinly Grey and Meaghan Streader,’ Eyeline, iss, 89, 2018, pp. 14-20
- ‘Mika Nakamura-Mather: The Floating Word,’ Eyeline, issue 88, 2017, p.89
- ‘Learning from the Future: Tintin Wulia’s ‘1001 Martian Homes’,’ Di’van, iss. 3, 2018, p.90-99
- ‘Yayoi Kusama: Life is the Heart of a Rainbow,’ Art Monthly Australasia, 30 November 2017, http://www.artmonthly.org.au/blog/kusama
- ‘Disruptive (Ill)Logic: Robert Andrew,’ ArtAsiaPacific, 28 November 2017, http://artasiapacific.com/Magazine/WebExclusives/DisruptiveIllLogic
- ‘Ross Manning,’ Artforum, 29 September 2017, https://www.artforum.com/picks/id=71343
- ‘Manabu Ikeda,’ Artforum, 1 September 2017, https://www.artforum.com/picks/id=70742
- ‘Highlights from the Yokohama Triennale,’ ArtAsiaPacific, 16 August 2017, http://artasiapacific.com/Blog/HighlightsFromYokohamaTriennale2017
- ‘Sunshower: Contemporary Art from Southeast Asia 1980s to Now,’ ArtAsiaPacific, September/October 2017, p.135
- ‘Highlights from the Sapporo International Art Festival,’ ArtAsiaPacific, 4 September 2017, http://artasiapacific.com/Blog/HighlightsFromSapporoInternationalArtFestival2017
- ‘Yokohama Triennale 2017,’ Tokyo Art Beat, 25 August 2017, http://www.tokyoartbeat.com/tablog/entries.en/2017/08/yokohama-triennale-2017-islands-constellations-galapagos.html
- ‘Cinémathèque Live at Gallery of Modern Art, Brisbane,’ ArtAsiaPacific, 7 July 2017, http://artasiapacific.com/Blog/CinemathequeLiveAtGalleryOfModernArtQueensland
- ‘Okan Do-Zine Interview,’ School, issue 3, 2016, p. 8
- ‘Time of Others,’ Eyeline, issue 84, 2015, p. 80, https://www.eyelinepublishing.com/eyeline-84/review/time-others
- ‘Critics’ Picks: Tsuyoshi Ozawa,’ Artforum, November 2015, https://www.artforum.com/picks/id=56357
- ‘Critics’ Picks: Masato Nakamura,’ Artforum, October 2015, https://www.artforum.com/picks/id=55735
- ‘Lee Mingwei and His Relations,’ ArtReview, March, 2015, vol. 67, no. 2, p. 152
- Art & Society, Nan’un-do, Tokyo, 2015
- ‘Critics’ Picks: Rongrong & inri,’ Artforum, June 2014, https://www.artforum.com/picks/id=47325
- ‘New Hell: Interview with Takayuki Yamamoto,’ Tokyo Art Beat, 16 June 2014, http://www.tokyoartbeat.com/tablog/entries.en/2014/06/new-hell-interview-with-takayuki-yamamoto.html
- ‘Kyotographie: International Photography Festival,’ Eyeline, issue 82, 2014, p. 83
- ‘Critics’ Picks: Danh Vo,’ Artforum, April 2014, https://www.artforum.com/picks/id=46052
- ‘Roppongi Crossing 2013: Out of Doubt,’ ArtAsiaPacific, March/April, 2014, p. 113
- ‘Global Intersections: Roppongi Crossing 2013,’ Tokyo Art Beat, 4 October 2013, http://www.tokyoartbeat.com/tablog/entries.en/2013/10/global-intersections-roppongi-crossing-2013.html
- ‘Critics’ Picks: Yuichi Inoue,’ Artforum, September 2013, https://www.artforum.com/picks/id=43213
- ‘10 Photography Events in Tokyo this Autumn,’ Tokyo Art Beat, 17 September 2013, http://www.tokyoartbeat.com/tablog/entries.en/2013/09/10-photography-events-in-tokyo-this-autumn.html
- ‘Setouchi Triennale 2013: Hiromi Tango and Craig Walsh Traces Blue,’ Eyeline, issue 80, pp. 66-71
- ‘Mind Your Tongue: Archie Moore,’ Expost Triennial, QUT Art Museum, 2013, Brisbane, pp. 57-60
- ‘Remembrance: An Interview with Tomoko Yoneda,’ Tokyo Art Beat, 1 August 2013, http://www.tokyoartbeat.com/tablog/entries.en/2013/08/remembrance-an-interview-with-tomoko-yoneda.html
- ‘An Interview with Shihoko Iida,’ Tokyo Art Beat, 5 July 2013, http://www.tokyoartbeat.com/tablog/entries.en/2013/07/an-interview-with-shihoko-iida.html
- ‘In Godzilla’s Footsteps,’ BBC Radio 4 (producer: Mark Rickards) first broadcast May 2013, http://www.bbc.co.uk/programmes/b01y1gxj
- ‘Defining New Diary Forms Today,’ Tokyo Art Beat, 19 February 2013, http://www.tokyoartbeat.com/tablog/entries.en/2013/02/yebisu-international-festival-for-art-alternative-visions-yebizo-public-diary.html
- ‘Under the Radar,’ Metropolis, issue 982, January 2013, p. 6-7
- ‘Tokyo Art Meeting III: Art and Music, the Art of Synesthesia,’ ArtAsiaPacific, December 2012, http://www.artasiapacific.com/Magazine/WebExclusives/TokyoArtMeetingIIIArtAndMusicSearchForNewSynesthesia
- ‘Lee Bul: From Me, Belongs to You Only,’ Eyeline, issue 77, 2012, p. 79
- ‘Tsubasa Kato: Fukugawa. Future. Humanity,’ Eyeline, issue 76, 2012, p. 87
- ‘Knowing but Not Seeing: Yokohama Triennale 2011,’ Eyeline, issue 76, p. 72-75 http://www.eyelinepublishing.com/eyeline-76/article/knowing-not-seeing
- ‘Bringing the Party to Tokyo,’ Tokyo Art Beat, November 8, 2012, http://www.tokyoartbeat.com/tablog/entries.en/2012/11/food-for-thought.html
- ‘Home is Always Where the Heart Is,’ Japan Times, September 13, 2012, http://www.japantimes.co.jp/text/fa20120913a1.html
- ‘Utakata Tayutau – The Blinking of an Eye: Ai Yamaguchi and Pip & Pop,’ ArtAsiaPacific, September 1, 2012, http://www.artasiapacific.com/Magazine/WebExclusives/UtakataTayutauTheBlinkingOfAnEyeAiYamaguchiAndPipPop
- ‘Mind the Ma: Chihiro Minato,’ ArtAsiaPacific, July 21, 2012, http://www.artasiapacific.com/Magazine/WebExclusives/MindTheMaChihiroMinato
- ‘Cats, a Locust and the Quake: Hors Piste Tokyo 2012,’ Tokyo Art Beat, June 19, 2012, http://www.tokyoartbeat.com/tablog/entries.en/2012/06/cats-a-locust-and-the-quake-hors-pistes-tokyo-2012.html
- ‘In the Light of Rinko Kawauchi,’ Japan Times, June 14, 2012, http://www.japantimes.co.jp/text/fa20120614a1.html
- ‘Tokyo Art Guide,’ Art Now 4, Taschen, 2013, p.421
- ‘Lee Bul: Inspired by the Past Imperfect,’ Japan Times, April 5, 2012, http://www.japantimes.co.jp/text/fa20120405a1.html
- ‘”Girls are dancin’’: Shôjo culture and feminism in contemporary Japanese art,’ NEW Voices, vol. 5, December 2011, p. 104 http://newvoices.org.au/volume-5/
- ‘Yebizo Festival,’ ArtAsiaPacific, March 7, 2012, http://artasiapacific.com/Magazine/WebExclusives/YebizoFestivalTokyo
- ‘Kohei Nawa: Synthesis,’ Eyeline, issue 75, February 2012, p. 89
- ‘The Struggle Against Nostalgia,’ Tokyo Art Beat, February 1, 2012, http://www.tokyoartbeat.com/tablog/entries.en/2012/02/the-struggle-against-nostalgia.html
- ‘Fuyuko Matsui Finds Vitality in Decay,’ Japan Times, January 12, 2012, http://www.japantimes.co.jp/text/fa20120112a1.html
- ‘Japanese House: Yoneda Tomoko,’ ArtAsiaPacific, December 2011, http://artasiapacific.com/Magazine/WebExclusives/JapaneseHouseYonedaTomoko
- ‘Ryoko Suzuki: “I Am…”,’ Japan Times, December 1, 2011, http://www.japantimes.co.jp/text/fa20111201b1.html , p. 12
- ‘Villa Tokyo: Europe Comes to Town,’ Tokyo Art Beat, November 18, 2011, http://www.tokyoartbeat.com/tablog/entries.en/2011/11/villa-tokyo-europe-comes-to-town.html
- ‘Beatriz Inglessis, The Primal Scene,’ Japan Times, November 3, 2011, http://www.japantimes.co.jp/text/fa20111103b2.html
- ‘To the Heart of It: Festival Tokyo,’ Tokyo Art Beat, October 28, 2011, http://www.tokyoartbeat.com/tablog/entries.en/2011/10/to-the-heart-of-it.html
- ‘Playful Imagery Born out of Berlin’s Ruins,’ Japan Times, October 27, 2011, http://www.japantimes.co.jp/text/fa20111027a3.html p. 12
- ‘Kusama: Quite Dotty, but Very Avant-Garde,’ Japan Times, September 1, 2011, http://www.japantimes.co.jp/text/fa20110901a2.html p. 14
- ‘Tsubasa Kato Pulls Us Together,’ Tokyo Art Beat, August 26, 2011 http://www.tokyoartbeat.com/tablog/entries.en/2011/08/tsubasa-kato-pulls-us-together.html
- ‘Tsuneo Enari Exhibition—Japan and its Forgotten War: Showa,’ Japan Times, August 25, 2011, http://www.japantimes.co.jp/text/fa20110825b2.html p.12
- ‘Yokohama Triennale: Something Borrowed, Something New,’ Tokyo Art Beat, August 25, 2011 http://www.tokyoartbeat.com/tablog/entries.en/2011/08/yokohama-triennale-something-borrowed-something-new.html
- ‘Yoko Ono Talk: Tragedy, Peace and Art,’ Tokyo Art Beat, August 9, 2011 http://www.tokyoartbeat.com/tablog/entries.en/2011/08/yoko-ono-talk-tragedy-art-and-peace.html
- ‘Troubling Feminist Art,’ Eyeline, issue 73, June 2011, pp. 51-55, https://www.eyelinepublishing.com/eyeline-73/article/troubling-feminist-art
- ‘LG Williams: Anything But,’ Time Out Tokyo, June 22, 2011 http://www.timeout.jp/en/tokyo/feature/3852/LG-Williams-Anything-But
- ‘Getting Serious,’ Tokyo Art Beat, June 10, 2011 http://www.tokyoartbeat.com/tablog/entries.en/2011/06/getting-serious.html
- ‘Climbing the Hidden Mountain,’ Tokyo Art Beat, April 2, 2011 https://www.tokyoartbeat.com/tablog/entries.en/2011/04/climbing-the-hidden-mountain.html
- ‘This Working Life,’ Tokyo Art Beat, March 24, 2011 https://www.tokyoartbeat.com/tablog/entries.en/2011/03/this-working-life.html
- ‘Art Amongst the Living,’ Tokyo Art Beat, February 7, 2011 https://www.tokyoartbeat.com/tablog/entries.en/2011/02/art-amongst-the-living.html
- “Girls Are Dancin’”: shôjo culture and feminism in contemporary Japanese art, MPhil thesis submitted to the University of Queensland, September 2010
- ‘Girls and New Media: in, outside of, and around art,’ Broadcast exhibition catalogue, Level ARI, July 2010
- ‘Review: Tales from the Cold Ghost III,’ Artworker, issue 4, 2009
- ‘Screen Review: Tracey Moffatt,’ Artlines, issue 1, 2009
- ‘Anastasia Klose: the aesthetic of the pathetic,’ NEW: Selected Recent Acquisitions 2007-2008, University of Queensland Press, 2009, p. 89
- ‘Tokyo Graffiti,’ Machine, issue 1.6 p.14 2005
- ‘Humming…,’ Machine, issue 1.5 p.16 2005
Conference Papers
- ‘Japanese Women Artists in the Asia Pacific Triennial of Contemporary Art,’ AAANZ Conference, 5-7 December 2018, RMIT University, Melbourne
- ‘The Fantastic Shôjo in Japanese Feminist Art,’ JSAA-ICJLE International Conference, 13-16 July 2009, University of New South Wales, Sydney
- ‘Contemporary Japanese Art: the girl in six profiles,’ Asia Pacific Week, 27-30 January 2009, Australian National University, Canberra
- ‘The Global Feminist Reach: Representations of the Girl in Contemporary Japanese Art,’ 9th International Women in Asia Conference, 29 September-1 October 2008, University of Queensland, Brisbane